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BLINK Deep Inside The Sound Of Sadness is their third offering and strongest collection to date. Formed in the mid nineties by Dermot Lambert, Robbie Sexton, Brian McLoughlin and Barry Campbell, Blinks' inclusion on a CD for a trade festival in New York sparked a review, leading to an A&R storm as international music executives chased the dreams and dollars of 'the next U2', which ended with the band signing with EMI for their debut release. Four months after playing their very first gig, Blink found themselves in recording studios working with notable producers including John O'Neill (the Undertones), Gil Norton (Pixies) and Steve Hillage. Blinks' first singles 'Going To Nepal' and 'Happy Day' went top 20 in Ireland. Their third release 'It's Not My Fault' debuted at No 8. August 1994 saw the release of the debut album A Map Of The Universe By Blink, entering the Irish album charts at No. 8 and referred to by Hot Press as 'the best Irish pop album ever made.' an accolade as opposed to a slur in the days before pop became a dirty word. Blink released the single Cello to support the album release and it hit the No. 10 spot and held its position for six weeks. The album went Gold almost immediately. 1995 was a very good year indeed. Soundcrowd Orchestra remixed Cello and it became a massive hit all over again. Blink were nominated for four awards at the Hot Press Music Awards. First trip proper to the USA... Sticking around Boston and New York and playing every music venue they could find, alternative US radio took to Blink, and suddenly It's Not My Fault was being A-listed on radio stations across the North East and spreading like wildfire across college radio. Late 1995, Blink set up their own New York based label, released A Map Of The Universe By Blink' and went on to sell more than 80,000 copies of it in the US by that Christmas. At home, the record company were looking for a new album, so the band hesitantly packed their bags and headed back to start recording for Parlophone UK. However, the call of the US kept coming hard and strong - offers of shows, supports with bands they had met over there, .- and album number two was postponed in favour of a return trip to the States. The decision to try and break the States was a solid one and a year later, the band signed on the dotted line with Paradigm Records, Blink began recording their second album 'The End Is High', releasing it in the US in March 1998. Billboard Magazine decided it was their five star album of the month and the album went on to do 90,000 copies in a very short space of time, opening the doors for bigger US tour supports.1999 onwards saw Blink opening shows, sharing dressing rooms with, amongst others, The Ramones, Mercury Rev, Moby, Lloyd Cole, The Cardigans, Mark Geary, Brendan O'Shea and Blink 182. All the fun of the fair and then Paradigm Records closes. Blink and their good friend, renowned producer and Minstry founder, Howie Beno (Red Hot Chilli Peppers, Blondie,) agreed to go ahead regardless, with plans for the third album. .....And so Deep Inside The Sound Of Sadness, the brand new album, was born. Described by the makers as 'a record that captures the highs and lows of ordinary people trying to make their way through extraordinary times'. The ten track work also features some good friends helping out with guest slots, Wendy Starland took time out from writing with Quincy Jones to sing on 'Don't You Rollerblade In Nashville Tennessee? . New York underground darling, Madison, joined in on 'Angel Of Light (Catwoman)'. Dave Browne flew in to play guitar on 'Walking Away', while John McCurry (the man behind monster 80's classics 'Heaven Is A Place On Earth' and 'I Ain't Missing You At All', not to mention Alice Coopers' 'Poison') stuck his head in for one or two guitar parts, but mainly for coffee. Deep Inside The Sound Of Sadness was released in Ireland on September 2004, and saw the band nominated for “Best Band” and “Best Album” at the Irish Music Awards. |
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