GEORGE
NEWSON (1932 - )
'George
Newson is an artist of considerable talent and is certainly to
be placed amongst Britain's foremost contemporary composers.'
(Pierre Boulez, Paris, February 1983)
Born
in London in 1932, as a child George Newson taught himself to
read music and to play the piano. At 14 years old he was awarded
a scholarship to the Blackheath Conservatoire of Music in London.
On a second scholarship nine years later he began the study of
composition at the Royal Academy of Music with Alan Bush and Howard
Ferguson. At Dartington and Darmstadt during the late 50's and
early 60's he came into contact with the Americans Carter and
Cage and studied with the Italians Berio, Maderna and Nono.
In
1967 he was awarded a Winston Churchill Fellowship to research
electronic music in the U.S. He worked principally with Robert
Moog in Trumansburg and at the University of Urbana, Illinois
where he made his first tape composition. The success of his research
brought invitations from Berio and Gottfried Michael Koenig to
work in the studios of the RAI in Milan during 1968 and the University
of Utrecht in 1969. Other major awards included an Arts Council
of Great Britain grant in 1965 and 1988, British Council tours
of Hungary/Romania in 1977 and Bulgaria in 1991, research fellowship
at Glasgow University, and he was lecturer in electronic music
at Goldsmiths' College, London, and composer-in-residence at Queen's
University Belfast. His commissions, many of which are represented
in this catalogue, have been for the London Symphony Orchestra,
the BBC Symphony Orchestra, the Scottish National Orchestra, the
Nash Ensemble, and other prestigious groups, as well as for the
Proms and the BBC.
Newson's
compositions have been extensively played in Great Britain, the
USA and continental Europe.
SOME
WORKS
Theatre: Opera: The Dead, The General ('The music, ranging technically
from "pointillism" to extempore passages, had a distinctive
tension and compulsion, and...sustained interest..'), Mrs. Fraser's
Frenzy for mezzo and Chamber ensemble
Orchestral: Concerto for Two Violins, Sinfonia for Wind Instruments
and Lower Strings, Even to the Edge of Doom
(Symphony No. 2), Songs for the Turning Year, Sonograms I &
II
Ensemble: Aphelion/Perihelion (One work in a cycle of environmental
works), Quintet, Sextet for Clarinet and Strings, Octet, string
quartets, Fanfaronade (for Europe)
Vocal/Choral: Songs in Exchange, Praise to the Air
Plus many more titles and also electronic and educational music.