IAN
PARROTT (1916 - )
'...a
colourful, penetrating and unorthodox mind...'
(Malcolm Boyd, GROVES)
An
impeccable musical pedigree earned at the Royal College of Music
and on scholarship at Oxford, which awarded him a DMus in 1940,
launched this composer into a distinguished career which along
with composition included music lectureships at Birmingham University
and the University College of Wales.
Though
English by birth (London) and upbringing, Parrott has identified
himself closely with music in Wales, and his own creative work
from about 1950 is coloured by a practical interest in the Welsh
language and Welsh culture. He has written widely on Welsh music
and other musical subjects, including several important reference
books. His works include four operas, chamber and orchestral pieces,
four string quartets, five symphonies, and a symphonic poem, LUXOR,
which was awarded the Royal Philharmonic Society's first prize
in 1949 and is in this catalogue. Conductors of his works have
included Boult and Barbirolli.
The
recipient of various honours, Parrott was awarded a Gresham Professorship,
London, the Harriet Cohen International Musicology Medal, the
John Edwards Award, Guild for Promotion of Welsh Music, and the
J. Rooper Prize for his second string quartet. For many years
he has served as Vice-President of both the Elgar Society and
the Peter Warlock Society. A Fellow of Trinity College of Music,
and the London College of Music, in 1955 Ian Parrott became a
founder member of the Guild for the Promotion of Welsh Music.
'Professor
Parrott states that his aim as teacher and composer has been to
retain a sense of wonder regarding artistic creation, to ensure
that music is foreground rather than background and to praise
God.' (from THE INTERNATIONAL REGISTER OF PROFILES, 10th Edition.
Cambridge. 1990)
SOME
WORKS
Piano, vocal pieces
Orchestral: Luxor, Arfordir Ceredigion ('A vigorous and triumphant
musical sea-scape,
portraying the West Wales coastline.'), Fifth Symphony ('The work
is too fine for us to dare neglect; it is musically strong in
invention and contrapuntal vigour and has that rare quality of
unashamed audience appeal')